BORN: February 20, 1897 N. Harvey, IL

DIED: November 18, 1983 Woodstock, VT

MARRIED: August 27, 1946 Josephine Patterson Reeve, at Red Lodge, Montanaii

TRAININGiii

1911-1915 Graduated, New Trier High School, Winnetka, ILiv

1915-1916 Northwestern University

1916-1917 University of Illinois, Architecture

1919 Ecole des Beaux Arts, Nantesv

1920-1922; 1922-1923 Antonin Sterba, Leopold Seyffert, Wellington J. Reynolds, graduated with honors, department of drawing, painting and illustration,vi Art Institute of Chicago

1923 Pennsylvania Academy of the Fine Arts with Henry McCarter, Daniel Garber, Arthur B. Carles and Charles Grafly

1924 National Academy of Design with Charles Webster Hawthorne

1941 Art Institute of Chicago with Jacques Maroger

ART RELATED EMPLOYMENT

1918-1919 United States Army, medical illustration, Nantes, France

1919 Medical illustration, Dr. Sylvester, Oak Park, IL

1919 Perkins, Fellows & Hamilton architects

1919 Albert Pick & Co. advertising

1933-1934 Federal Art Project, easel division

1936 Works Progress Administration

1943-1944 Commissioned with brother Malvin to paint Portrait of Dorian Gray for M. G. M. Studios, Hollywoodvii

1948 Mural Drama, Riccardo's Restaurant, Chicago, (removed late 1960s)

TEACHING

1938, 1943-1944viii Art Institute of Chicago, figure painting

1969, 1971-1974 Dartmouth College as artist in residence and visiting artist

RESIDENCESix

1898-1910 Edison Park (Chicago)

1910-1924 Hubbard Woods (Winnetka), Illinois

1925-1926 Philadelphiax

1924-1946 Warrenville, Illinois

1946-1965 Chicago

1965-1983 Woodstock, Vermont

TRAVEL

1902-1906 Annisquam, Massachusetts (summers)

1909 Noank, Connecticut (summer)

1910 Brown County, Indiana (summer)

1911 Springfield, Missouri (summer)

1914 Birmingham, Pennsylvania (summer)

1915 Woodward, Centre County, Pennsylvania (summer)

1916 Tionesta, Pennsylvania (summer)

1917-1918 Caracas, Venezuela (winter)

1923-1924 Philadelphiaxi

1924 New York Cityxii

1924 Laguna Beach and La Jolla, Californiaxiii

1924xiv-1925 Camelback, Arizona; Old Laguna, Taos and Santa Fe, New Mexicoxv

1925 Kentucky; Tennessee; Alabamaxvi

1926 Oceanside, Californiaxvii

1927 San Diego

1929 Laguna Beach

1939 New Harbor, Maine (summer)

1940 Corea, Maine (summer)

1941 Cundy’s Harbor and Deer Isle, Maine (summer)

1943-1944 Hollywood, California, to painting The Picture of Dorian Gray for MGM studios

1947-on Three Spear Ranch, Dubois, Wyoming (summers)

1951 Greece (summer)

1956-on Aspen, Colorado (winters)

1960 Europe (summer)

1963-on Jacksonville, Georgia at their plantation

1967 Russia, Israel, Iran and Italy

MEMBERSHIPS/OFFICES

American Watercolor Society

American Academy of Arts & Letters

Art Institute of Chicago Alumni Association

Arts Club of Chicago

Association of Chicago Painters & Sculptors

Baltimore Watercolor Club

Chicago Artists Group Gallery

Chicago Arts Club

Chicago Commission for the Encouragement of Local Art (director 1934-1935)xviii

Chicago Society of Artists (director 1931-1932; president 1934-1935,xix vice president 1935-1936)

Laguna Beach Art Association

Neo-Arlimusc

Pennsylvania Academy of the Fine Arts, Fellow

Philadelphia Watercolor Club

Springfield, Massachusetts Art League

HONORS

1923 Faculty Honorable Mention in Life and Portrait painting, School of the Art Institute

1926 Honorable Mention, Art Institute of Chicago, American Annualxx

1928 Mrs. John C. Shaffer Prize, Art Institute, Chicago & Vicinityxxi

1930 Silver Medal, Chicago Society of Artists annualxxii

1930 Honorable Mention, Art Institute of Chicago, American Annualxxiii

1931 Gold Medal, Chicago Society of Artists annualxxiv

1933 Mrs. Frank G. Logan Prize, Grant Park Artist’s Showxxv

1934 Audubon Post Prize, Fellowship, Pennsylvania Academy of the Fine Arts

1937 First Prize, Springfield, Massachusetts Art League annualxxvi

1940 Philadelphia Water Color Prize, Pennsylvania Academy of the Fine Arts annualxxvii

1941 Norman Wait Harris Silver Medal, Art Institute of Chicago, American Annualxxviii

1941 Mr. & Mrs. Jule F. Brower Prize, Art Institute, Chicago & Vicinityxxix

1941 Honorable Mention, Sears Academy of Fine Arts annual, Elgin, Illinoisxxx

1942 Associate, National Academy of Design

1942 Temple Gold Medal, Pennsylvania Academy of The Fine Arts annual

1942 First Medal for best painting, Artists for Victory, Metropolitan Museum of Artxxxi

1943 Norman Wait Harris Bronze Medal, Art Institute of Chicago, American Annual

1944 Benjamin Altman Prize, National Academy of Designxxxii

1945 Art Institute Print Committee Prize, Art Institute, Chicago & Vicinityxxxiii

1945 Prize, National Academy of Design, Pepsi Cola Paintings of the Yearxxxiv

1946 First Prize, National Print Exhibition

1947 Honorable Mention, National Academy of Design, Pepsi Cola Paintings of the Year

1949 Watson F. Blair Prize, Art Institute of Chicago, American Annual

1950 Honorable Mention, Carnegie Institute annual

1950 National Academician, National Academy of Design

1951 Centennial Award, Northwestern University

1952 $500 Prize, Metropolitan Museum of Art, American Watercolorsxxxv

1953 Clyde M. Carr Prize, Art Institute, Chicago & Vicinity

1955 Silver medal, Corcoran Gallery of Art biennial

1955 Municipal Art League Prize, Art Institute, Chicago & Vicinity

1956 J. Henry Schiedt Memorial Prize, Pennsylvania Academy of the Fine Arts annual exhibition

1957 National Institute of Arts and Letters

1961 Benjamin Altman Figure Prize, National Academy of Design

1963 Dunn International Award, Beaverbrook Art Gallery, Fredericton, New Brunswick, Canada

1968 Laureate, Lincoln Academy of Illinois

1969 Honorary Doctor of Humane Letters, Mundelein College, Chicago

1972 Honorary Doctor of Fine Arts, Lake Forest College

1974 Honorary Doctor of Arts, Columbia College, Chicago

1975 Vermont Governor's Award for Excellence in the Arts

1977 Honorary Doctor of Fine Arts, Art Institute of Chicago

JURIES SERVED

Art Students’ League of Chicago annul 1931

Central Illinois Artists first annual, Decatur 1943

Chicago Society of Artists, Autumn Exhibition 1930

John Reed Club of Chicago, Second Annual Proletarian Art Exhibit, 1931xxxvi

National Academy of Design, Pepsi Cola Paintings of the Year, 1946, 1947

Pennsylvania Academy of the Fine Arts annual 1958

Swedish Artists’ Society of Chicago annual 1933

Union League Club of Chicago, Chicagoland Artists 1963

GROUP EXHIBITIONS

A Century of Progress Exposition 1933, 1934

Albright-Knox Art Gallery, American Annual 1929, 1931

Albright-Knox Art Gallery, International Watercolor Annual 1936

Albright-Knox Art Gallery, Expressionism 1900-1955, 1956xxxvii

Albright-Knox Art Gallery, Expressionism In American Painting 1952

Albright-Knox Art Gallery, Order And Enigma, American Art between the Two Wars 1984xxxviii

All-Illinois Society of Fine Art annual 1927

American Federation of Arts, contemporary Chicago painters, circulating exhibition, organized by the Art Institute of Chicago 1931, 1932xxxix

American Fine Arts Gallery, National Exhibition of American Art 1937

American Institute of Graphic Arts, Fifty American Prints 1938xl

American Watercolor Society annual 1943, 1944

Art Institute of Chicago, The Artist Looks At People

Art Institute of Chicago, Abstract & Surrealist Art 1947

Art Institute of Chicago, American Annual 1926-1930, 1936, 1939, 1941-1943, 1945, 1947

Art Institute of Chicago, American Watercolors 1918, 1934-1937, 1939-1944, 1946, 1949

Art Institute of Chicago, Federal Art Project 1936

Art Institute of Chicago, Half Century of American Art 1939

Art Institute of Chicago, International Exhibition of Contemporary Prints 1934

Art Institute of Chicago, One Hundred Years, One Hundred Artists 1979

Art Institute, Chicago and Vicinity 1923, 1927-1931,xli 1932-1938, 1941-1951, 1953, 1955, 1957, 1959

Art Students’ League of Chicago annual 1923

Arts Club of Chicago 1939

Associated American Artists, New York 1945xlii

Block Museum, Northwestern University; Columbus Museum of Art, Ohio; Kennedy Galleries, New York American Expressionism: Art and Social Change, 1920s-1950s, 2004xliii

Brussels World’s Fair 1946-1947

Carnegie Institute annual 1928-1930, 1933, 1935-1940, 1943-1950, 1964

Chicago Artists Group Gallery 1936-1939

Chicago No-Jury Exhibition at Navy Pier 1957, 1958

Chicago No-Jury Society of Artists 1934

Chicago Society of Artists, annually from late 1920sxliv

Cincinnati Art Museum annual 1929

Corcoran Gallery of Art biennial 1928-1947; 1953-1957

Dallas Museum of Fine Arts

de Young Memorial Museum, Self Portraits 1943

Detroit Institute of Arts

Fifty Prints of the Year

Golden Gate Exposition, San Francisco 1939

Illinois Academy of Fine Arts 1928

Illinois State Fair, Old Northwest Territory annual 1947, 1951

Increase Robinson Studio Gallery, Chicago 1933 (3/25) small group show, 1934

Increase Robinson Studio Gallery, Chicago, Chicago Artists Represented in ‘Art of Today - Chicago, 1933’, 1933

Increase Robinson Studio Gallery, Chicago, Water Colors, Drawings And Prints By Chicago Artists 1931

Library of Congress, National Exhibition of Prints Made During The Current Year, 1943, 1948

Los Angeles County Museum of Art, Biennial Exhibition of Drawings by American Artists 1945

Metropolitan Museum of Art, American Painting 1950

Metropolitan Museum of Art, Artists for Victory 1942

Midwestern Artist Show, eight state tour 1936

Museé National d’art Moderne, Paris 1953

Museum of Modern Art, Twentieth Century Portraits

Museum of Modern Art, Art Of The Twenties 1979

Museum of Modern Art, Realists and Magic Realists 1943xlv

Museum of Modern Art, Sixteen Cities 1933

National Academy of Design 1926, 1928, 1941-1945, 1947

National Academy of Design, Pepsi-Cola Paintings of the Year 1947

Nebraska Art Association annual 1945

Neo Arlimusc Society, Chicago Moderns (in honor of Julius Meier-Graefe) 1928

New York World’s Fair, American Art Today 1939

One Hundred American Prints

Pan-American International, Baltimore

Pemaquid Group of Artists, Pemaquid Art Gallery Maine 1939xlvi

Pennsylvania Academy of The Fine Arts, 1924, 1927,xlvii 1929, 1930, 1932, 1933, 1935, 1936, 1938, 1941, 1942, 1944-1946, 1948, 1949, 1951, 1956

Pennsylvania Academy of the Fine Arts, Annual Watercolors 1943

Renaissance Society, Chicago & Vicinity Artists 1930

Renaissance Society, Contemporary American Prints Selected by Five Printmakers 1949

Renaissance Society, Contemporary Paintings from Mr. & Mrs. Earle Ludgin 1946

Renaissance Society, Works by Chicago Artists Loaned by Chicago Collectors 1941

San Diego Museum of Art, Contemporary American Art, sponsored by Western Association of Museum Directors, Summer 1932xlviii

Springfield, Massachusetts Art League annual 1937

St. Louis Art Museum, American Annual 1940, 1947

St. Louis Art Museum, Currents of Expansion: Painting in the Midwest 1820-1940, 1977

Tate Gallery, London 1963

Tate Gallery, London, American Paintings 1946xlix

Toledo Museum of Art, American Annual 1929l

Venice Biennial, American Artists Paint The City, 1956

University of Illinois, Contemporary American Painting 1953

Walley Findlay Galleries, Chicago, Eleanor Jewett Critic’s Choice 1950

Whitney Museum of American Art annual 1932, 1937, 1939-1941, 1943-1950, 1952, 1955-1958, 1961

Whitney Museum of American Art, Between The Fairs, 25 Years Of American Art 1939-1964, 1964

Whitney Museum of American Art, Between the wars 1942

ONE, TWO OR THREE MAN EXHIBITIONS

1930 Walden Galleries, Chicagoli

1931 Art Institute of Chicagolii

1933 Dayton Art Instituteliii

1933 Increase Robinson Gallery, Chicago, watercolorsliv

1935 White Gallery, White Sulphur Springs, WVlv

1938 Winnetka Community House, with his father and brotherlvi

1942 Findlay Galleries, Chicago with brother Malvinlvii

1945 Associated American Artists, New York with Malvinlviii

1946 Associated American Artists, Chicago with Malvin

1950 Riccardo’s Studio Restaurant, with his father and brotherlix

1964 Art Institute of Chicago and Whitney Museum of American Art

1964 Roosevelt University, Chicago

1971 Renaissance Society, University of Chicago

1975 Strauss Gallery, Dartmouth College

1978 Lake Forest College, graphics

1978 Art Institute of Chicago

1984 Art Institute of Chicago, Late Self Portraits

1997 Art Institute of Chicago; Metropolitan Museum of Art

PERMANENT COLLECTIONS

Art Institute of Chicagolx

INTERESTING NOTESlxi

Son of the painter Adam Emory Albright and twin brother of the painter and sculptor Malvin Marr Albright (Zsissily). Ivan was named after the way Adam's father used to swear in Dutch “I van!” His poetry was published in Creative Writing in 1939 and he contributed to the Chicago Daily News on book reviews. He was not too interested in finances and often took carpentry jobs to support his lack of sales in paintings. Until age 47 he lived with his parents which also provided a means of financial security before marrying the wealthy Josephine; he could afford to spend a great deal of time on each meticulous painting and hence his total output was relatively limited.lxii Discussion of Albright appears in George A. Flanagan, Understanding and Enjoying Modern Art (Crowell, 1962); Katharine Kuh, The Artist's Voice, Talks with Seventeen Artists (Harper & Row,1962); Break-Up: The Core of Modern Art (New York Graphic Society, 1965).

His painting Wherefore Now Ariseth the Illusion of a Third Dimension, was given a two page color spread in Life magazine, 3/17/1944.

iFor an interesting brief essay on the artist see, “Ivan Albright 1897-1983,” American Paintings and Sculpture to 1945 In The Carnegie Museum of Art, (New York: Hudson Hills Press, 1992), p.41-43.

iiShe was the former wife of Jay Frederick Reeve, a Chicago lawyer. Her father was J. M. Patterson, founder of the New York Daily News, see: New York Times, 8/28/1946.

iiiOn his 1919 School of the Art Institute of Chicago registration card he listed his father under the category of “previous art study.”

iv“Commencement Days: New Trier High School,” Chicago Tribune, 6/19/1915, p.14.

vIn reality, he was only there for a few days.

viHe attended on a four year scholarship.

viiIn an illustration caption in: “Above is reproduced The Picture of Dorian Gray...,” Art Digest, Vol. 19, 5/15/1945,

p.14, it was thought to be the most expensive picture ever made.

viiiTypescript biography, School of the Art Institute of Chicago, 9/22/1987, student records.

ixIvan and his brother Malvin lived together at home until age forty-nine when Ivan was married.

xHis The Backerville Portrait, illustrated in The Chicago Evening Post Magazine of the Art World, 5/18/1926, p.14, was painted in the Philadelphia studio. Another work done there was illustrated in the 7/27 issue, p.9, The Burgomaster.

xi“Ivan L. Albright,” in “News of the Art World,” supplement, Chicago Evening Post, 1/29/1924.

xiiOp. cit., Chicago Evening Post, 1/29/1924.

xiii“Of Timely Interest,” The Chicago Evening Post Magazine of the Art World, 11/18/1924, p.8. He and Malvin went to visit their parents at Laguna stopping on the way in Santa Fe, Taos and the Grand Canyon.

xivThis date comes from a signed and dated painting “Hopi Indians, 1924,” Leslie Hindman Auctioneers, Sale 527, Lot 8.

xvR. A. Lennon, “Brothers Establish Studio in a Church,” The Chicago Evening Post Magazine of the Art World, 5/26/1925, p.4. An illustration of his Old Laguna Pueblo, New Mexico, appears with the article.

xvi“To Motor Thru South,” The Chicago Evening Post Magazine of the Art World, 10/13/1925, p.16. He traveled with his parents and brother.

xviiOne of his works from this trip was later illustrated with an interesting article by Marguerite B. Williams, “Here and There in the Art World,” Chicago Daily News, 8/28/1928, in Art Institute of Chicago scrapbooks, vol. 55, p.69.

xviiiLetter to William Burkholder from Ivan L. Albright, CELA Archives, Ryerson Library, Art Institute of Chicago, 2/11/1935. He was the representative appointed from the Chicago Society of Artists.

xixEleanor Jewett, “News of Interest to Lovers of Art,” Chicago Tribune, 11/19/1933, part 8, p.4.

xxThe prize was awarded his Paper Flowers. Eleanor Jewett, “Art,” Chicago Tribune, 10/31/1926, p.E8.

xxiThe prize was awarded his painting The Lineman, illustrated in The Chicago Evening Post Magazine of the Art World, 2/14/1928, p.3. The painting caused a controversy among real lineman as it depicted them as slovenly. “ ‘Lineman’ Winning Painting at Institute Stirs Workers,” Chicago Journal, 5/14/1928, in Art Institute of Chicago scrapbooks, vol. 55.

xxiiTom Vickerman, “Medals to Dalstrom, Albright, Chassaing,” The Chicago Evening Post Magazine of the Art World, 11/4/1930, p.3.

xxiiiThe prize was awarded his Fleeting Time Thou Hast Left Me Old. Eleanor Jewett, “American Show at the Art Institute Disappoints Critic,” Chicago Tribune, 11/5/1930, p.H4.

xxivThe prize was awarded his painting Into the World There Came a Soul Called Ida, which later won a prize in Springfield and was illustrated in “Albright’s ‘Ida’ Wins Chicago Gold Medal,” Art Digest, Vol. 6, 12/15/1931, p.6. The Gold Medal was instituted after the Society withdrew their top honor, the Silver Medal, from the Art Institute of

Chicago, Chicago & Vicinity exhibitions. See also: Tom Vickerman, “Society of Artists in Fall Show,” Chicago Evening Post, 11/24/1931, Art Section, p.7. See also Eleanor Jewett, “Ivan Albright Leads Society of Artists' Show,” Chicago Tribune, 11/24/1931, p.22.

xxv“Public Picks Outdoor Art Show Winners,” Chicago Tribune, 8/7/1933, p.5.

xxviThe prize was awarded his painting Into the World There Came a Soul Called Ida which was illustrated in Art Digest, Vol. 11, 2/1/1937, p.12.

xxvii“Super-Realist Albright Bought by Chicago,” Art Digest, Vol. 16, 12/1/1941, p.17. The piece was then purchased by the Art Institute of Chicago, their first by Albright. Daniel Catton Rich said of the purchase: “I consider Ivan Albright one of the most original artists in America today. His vision is extraordinary as his technique.”

xxviiiThe prize was awarded his That Which I Should Have Done I Did Not Do, C. J. Bulliet, “Prizes Awarded At Art Exhibit Opening Today,” Chicago Daily News, 10/29/1941.

xxixThe prize was awarded his Show Sentinels. Edith Weigle, “Logan Medal Is Awarded to Chicago Artists,” Chicago Tribune, 3/11/1941. He was featured in what could be considered his home town press in “Warrenville Resident’s Prize Picture on Display At Art Institute Exhibit, Wheaton Daily Journal, 3/11/1941, in Art Institute of Chicago scrapbooks, vol. 76, col. 2, p.51.

xxx“Winners in Elgin Show,” Art Digest, Vol. 15, 5/15/1941, p.11.

xxxiThe prize was awarded his That Which I Should Have Done I Did Not Do. Albright rejected the $3,500 purchase price as too low and elected to take a medal, see: Art Digest, Vol. 17, 12/15/1942, pp.6-7.

xxxiiThe prize was awarded his painting The Lineman.

xxxiiiHarold E. Haydon, “The First Artists of Our Second City: 1945 Selection,” Art News, Vol. 44, July 1945, p.16.

xxxivArt Digest, Vol. 20, 11/15/1945, p.23. The prize of $500 was awarded his Wherefore Now Ariseth…

xxxvArt Digest, Vol. 27, 12/15/1952, p.7. The prize was awarded his The Purist.

xxxvi“John Reed Exhibition,” Chicago Evening Post, 10/27/1931, Art Section, p.8.

xxxviiThis exhibition traveled to the Walker Art Center; Boston Institute of Contemporary Art; San Francisco Museum of Art; Cincinnati Art Museum and Baltimore Museum of Art.

xxxviiiThis exhibition traveled to the Munson-Williams Proctor Institute; Herbert F. Johnson Museum of Art, Cornell University; Everson Museum of Art; Albany Institute of History and Art and Memorial Art Gallery of the University of Rochester.

xxxixEleanor Jewett, “News of Art and Artists,” Chicago Tribune, 7/17/1932, part 8, p.2.

xlArt Digest, Vol. 12, 5/15/1938, p.22.

xli“Chicago Sets an Example in One-Man Shows,” Art Digest, 8/1/1931, p.8. His painting Midnight, reportedly caused a “sensation” at the show. The model for the piece was a niece of the Duke of Northumberland, Lady Frances Curie Milburne.

xliiHis painting Maker of Images, was illustrated in Art News, 11/1 – 11/14/1945.

xliiiA brief review is found in Abigail Foerstner, “Showing It Like It Is,” North Shore, February 2004, p.88.

xlivHis work from the 1929 show was commented upon by Eleanor Jewett, “Some Modern Bits Qualify This as Art’s Fall Exhibit,” Chicago Tribune, 11/26/1929, p.45.

xlv“To Present Albright Twins,” Art Digest, Vol. 19, 9/15/1945. An entire gallery was devoted to his and his brother Malvin’s work.

xlviC. J. Bulliet, “Art Notes,” Chicago Daily News, 9/2/1939, Art and Music Section, p.11.

xlviiHis Baskerville Portrait, was illustrated in “Here and There in the Art World,” Chicago Daily News, 1/19/1927, in the Art Institute of Chicago scrapbooks, vol. 53, p.1.

xlviiiArt Digest, Vol. 6, 7/1/1932, p.32.

xlixHis painting That Which I Should Have Done, I Did Not Do, was exhibited in this exhibition and given to his wife as a wedding present, see: New York Times, 9/6/1946. Announcement of the exhibit was also made in Art Digest, Vol. 20, 5/15/1946, p.7.

lHis Woman, was illustrated in The Chicago Evening Post Magazine of the Art World, 6/4/1929, p.14.

li“Albright, an ‘Old Master,’ From Illinois,” Art Digest, Vol. 5, No. 1, 10/1/1930, pp.1, 6 and Tom Vickerman, “Albright’s Ogres Unmask as Angels,” The Chicago Evening Post Magazine of the Art World, 8/26/1930, p.3. His Midnight, was illustrated in the 9/9/1930 issue, p.6. Marguerite B. Williams, “Chicago Artists Have Exhibits All To Selves,” Chicago Daily News-Journal, 8/15/1930, in AIC Scrapbooks, Vol. 57, p.141. Marguerite B. Williams, “In an Art Colony All Their Own,” Chicago Daily News, 8/27/1930, in AIC Scrapbooks, Vol. 57, p.144[approx]. His painting Midnight was illustrated with the article.

lii“Ivan LeLorainne Albright,” 7/14/1931, Chicago Evening Post, Art Section, p.6. C. J. Bulliet, “Albright Tames Wilde Baers at the Art Institute Summer Shows,” Chicago Evening Post, 7/28/1931, Art section, p.5. See also Marguerite B. Williams, “Exhibit Shows Capabilities of Chicago Artists,” Chicago Daily News, 7/30/1931, in AIC Scrapbooks, Vol.58. Irwin St. John Tucker, “Skillful Contrasts Mark Art Institute Summer Exhibitions,” Chicago Herald & Examiner, 8/23/1931, in AIC Scrapbooks, Vol. 58. Eleanor Jewett, “On Exhibit at Art Institute,” Chicago Tribune, 8/23/1931, p.D4.

liii“Albright at Dayton,” Chicago Daily News, 2/4/1933, art and artists section, p.7.

livHe shared the space with a few other artists. Eleanor Jewett, “Water Colors Dominate Two Art Displays,” Chicago Tribune, 3/28/1933, p.15.

lvEleanor Jewett, “News of Art and Artists,” Chicago Tribune, 7/21/1935, part 8, p.5.

lviC. J. Bulliet, “Around the Galleries: Three Albrights,” Chicago Daily News, 4/9/1938, Art and Music Section, p.15.

lviiEleanor Jewett, “Photo Exhibit at Historical Salon Planned,” Chicago Tribune, 3/22/1942, p.H3.

lviiiA critique of the show appeared in New York Sun, 10/27/1945, New York Public Library Artist File, A85/E5. A

less favorable review appeard in “Albright Twins - Decay, Charm, Confusion,” Art Digest, Vol. 20, 11/1/1945, p.12.

lixC. J. Bulliet, “Art in Chicago: Season for Veterans,” Art Digest, Vol. 24, 4/15/1950, p.26.

lxHis Into the World There Came a Soul Called Ida was illustrated in Chicago Modern 1893-1945, (Chicago: Terra Museum and University of Chicago Press, 2004), p.82.

lxiFor an interesting discussion of his work at the height of his career see: Daniel Catton Rich, “Ivan Le Lorraine Albright, Our Own Jeremiah,” Magazine of Art, Vol. 36, February 1943, pp.49-51.

lxiiWilliam James Williams. A Heritage of American Paintings From the National Gallery of Art. (New York: The Rutledge Press, 1981).